Build Stories That Actually Connect
Editing isn't just about cutting clips together. It's about finding the thread that makes someone lean forward and say, "Tell me more." We teach you how to shape footage into something people remember.
Our program walks you through real projects—documentaries, branded content, narrative shorts. You'll work with actual footage, make real decisions about pacing and rhythm, and learn what works when the deadline is breathing down your neck.
Start Your Journey
Three Phases That Make Sense
Foundation Work
You start with the tools and techniques that editors actually use every day. Keyboard shortcuts that save hours. Color correction that doesn't look overdone. Audio mixing that doesn't make people cringe. This phase is about building muscle memory so the technical stuff becomes second nature.
Story Assembly
Now you get into the interesting part—how to take raw footage and find the story hiding in there. We work with interview material, b-roll, stock footage. You'll learn how to cut out the boring parts without losing the meaning. How to build tension. When to hold a shot longer than feels comfortable.
Portfolio Development
The final stretch is about creating work you can show clients or employers. You'll edit three complete projects from start to finish, each one targeting a different style or industry. Documentary storytelling. Commercial pacing. Narrative structure. By the end, you've got proof that you can deliver.
What Students Actually Say
Lukas Obermayer
Corporate Video Editor
I came in knowing how to cut clips, but I didn't know how to make them feel like something. The program taught me how to read footage differently. Now when I watch edits, I can see why certain choices work and others don't.
Petra Weilharter
Freelance Content Creator
The feedback sessions were tough but worth it. Having experienced editors point out where my pacing dragged or where a cut felt jarring—that's the kind of input you can't get from tutorials. My work improved faster than I expected.
Henrik Vinterberg
Documentary Assistant Editor
I thought editing was about knowing software. Turns out it's more about understanding what people respond to emotionally. The program shifted my whole approach—I edit for the audience now, not just for what looks cool in the timeline.